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08:00 AM - 25 May 18
The Argument - @RohanDEason illustrated this piece for a future publication 2018. #blackandwhiteillustrationtwitter.com/i/web/status/9…
06:00 PM - 24 May 18
@RohanDEason drawing of Clerk’s Well is projected as part of the @CDWfestival events #conceptual #RohanEasontwitter.com/i/web/status/9…
03:01 PM - 24 May 18
The Splash - This piece is part of collection of works made as part of a brand identity for Pegasus Life Ltd 2016.… twitter.com/i/web/status/9…
01:01 PM - 24 May 18
Take a look at this fantastic front cover of “The Story Cure” by Ella Berthoud & Susan Elderkin 2017. Illustrated b… twitter.com/i/web/status/9…
12:00 PM - 24 May 18
#Ginger : @youngearlgrey creates the artwork and animation for Kah-Lo and Riton’s latest track 'Ginger' #animationtwitter.com/i/web/status/9…
09:21 AM - 24 May 18
RT @ArrestAllMimics: Emergency episode coming very soon. Since everyone, myself included seems to be catching flies over #GDPR and that, th…
09:00 AM - 24 May 18
08:00 AM - 24 May 18
This piece by @RohanDEason is from the first book in the Anna Trilogy, “Anna and the Witch’s Bottle” written by… twitter.com/i/web/status/9…
06:00 PM - 23 May 18
@ArrestAllMimics #Podcast : In the debut #ArrestAllMimics video podcast & in collaboration with #JakePowell Videog… twitter.com/i/web/status/9…
05:56 PM - 23 May 18
Thanks for having us Plant Made! Quick lunch trip to the East Village today to see Veronica Collignon's artwork!… twitter.com/i/web/status/9…
03:00 PM - 23 May 18
Horse Dinner - illustrated by @RohanDEason for the highly acclaimed “Anna & the Juniper Dog” written by #geoffcox,… twitter.com/i/web/status/9…
01:01 PM - 23 May 18
This beautiful pen and ink work is created by @RohanDEason for the designer Annette Olivieri, Spring Summer Collect… twitter.com/i/web/status/9…
10:06 AM - 23 May 18
RT @ArrestAllMimics: @LJB_studio talks about the importance of tactile, attention to detail & print's role in today's creative industry on…
08:00 AM - 23 May 18
Another intricate work “Red Riding Hood” by @RohanDEason for The Grimm Fairytales 2016. #blackandwhiteillustrationtwitter.com/i/web/status/9…
06:15 PM - 22 May 18
#AClaridgesWedding : @JABissett is invited to draw portraits of a bridal party at their Claridge's suite #figuretwitter.com/i/web/status/9…
03:00 PM - 22 May 18
@RohanDEason illustrated this piece “The Lions Purr” from the highly acclaimed “Anna and the Juniper Dog” written b… twitter.com/i/web/status/9…
01:45 PM - 22 May 18
Tulips & Music : @Cruisemag commission #IratxeLópezdeMunáin for some jazzy map illustrations #Editorial #traveltwitter.com/i/web/status/9…
01:00 PM - 22 May 18
@RohanDEason illustrated a series of terrifying monsters and villains for Doctor Who Tales of Terror that will deli… twitter.com/i/web/status/9…
08:00 AM - 22 May 18
Another expressive pen and ink drawing by @RohanDEason, “Puppet Master” from @bbcdoctorwho Tales of Terror, publish… twitter.com/i/web/status/9…

Shortlisted for the WIA Awards 2018!

Ben Tallon's 'Dr. Martens Stand For Something' boot collaboration is shortlisted in the World Illustration Awards.

Ben's work with the famed boot company was entered into the Experimental category - for work in formats such as apps, virtual reality, installations, experimental work and portfolio projects. We are delighted for Ben and look forward to seeing his entry in a new online showcase, a full colour, 128-page catalogue, direct mailed to 1,300 major commissioners worldwide and also as part of the exciting exhibition in London this June. 

Ben gives us some background on his piece, "I've loved the iconic oxblood Dr. Martens boot since I first saw them, worn in very British fashion by Damon Albarn on the Modern Life Is Rubbish Blur album inlay painting. This fabulous art direction by Stylorouge had a formative effect on my love of artistry and the boots depicted have remained anchored to that moment. So when Dr. Martens and I agreed an experimental collaboration using them as an admittedly challenging, unconventional canvas, they caught me at a rough moment.  

Suffering creative burnout in a big way, I struggled to find my motivation, battling through projects with a sense of duty. Shortly before the project started, I became angry for a multitude of reasons that don't need to be detailed here; a murky cocktail of political irks and personal irritations and to my surprise, it was that negative emotion that triggered an interesting artistic response. So I set about painting on things; large objects and unusual surfaces, fabrics, letting go, loosening up. It proved cathartic and by the time the boots arrived, I was ready, full of prickly energy. This pristine pair of gorgeous footwear sat there on my studio worktop, glistening on the table so I grabbed a can of spray paint, a bottle of Indian ink and in punk fashion, perhaps a cultural foundation of the boots' longevity, I let rip and did not stop for the next week. 

So what you see here is a love letter to what these boots represent to me; DIY culture, have a go and make it work. I was delighted with the outcome and such turning points in the evolution of a visual style don't come too often. 'Stand For Something' may be a slogan, but it's also an important message and there have been few projects to which I've committed quite like this over my ten years as an illustrator. Even in the most glum moments, creativity can flourish and this project with a much loved brand served as a timely reminder of that."

More info here.

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